Art of the West

Cover

May/June 2008

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In the May/June 2008

Ron Riddick Poetry in Paint By Vicki Stavig Pages 34-40 The world doesn’t need another pretty picture. The world needs more poets, someone to remind you of something, to bring you out of your everyday world and teach you something.” That’s how Ron Riddick sees his role as a painter of the American West, particularly the Native American culture.	Whiteman’s Foot Bell, oil, 38" by 28" Also: Drinkers of the Wind, gouache, 32" by 50"
Jove Wang 'Life is My Teacher' By Mary Nelson Pages 42-47 The face of a baby, beautiful by its freshness and innocence, can inspire poetry, art, magic. The absence of life’s drama, as yet, leaves no trails on the infant face, a face that is easy to adore. Yet it is the mature face, with its marks of age, experience, joys, and loss that Jove Wang prefers to paint. They are faces that display their personalities, their memories, and their dreams.	Dream of America, oil, 30" by 24" Also: In the Heat of the Day, oil, 30" by 24"
David Mann Dreamer Makes Good By Vicki Stavig Pages 48-53 David Mann’s undeniable skill, combined with his use of light and brilliant colors and his admiration for his subjects, result in paintings that have been attracting a growing cadre of collectors during the past two decades. His talent in portraying the Native American—as well as the occasional mountain man—has earned him countless kudos, along with participation in two prestigious annual art shows: the Masters of the American West and the Prix de West.	At The Council, oil, 36" by 48" Also: Among the Enemy, oil, 48" by 36"
William Whitaker Still Singing a Simple Song By Vicki Stavig Pages 54-59 William Whitaker is no ordinary man, no ordinary artist. Just ask the countless artists who have benefited from his teachings over the years and who credit him with going beyond the fundamentals and inspiring them to create the kind of art that has driven their careers.	At the Sanctuary, oil, 14" by 10" Also: Shades of White, oil, 24" by 28"
Kyle Polzin Nostalgic Connections By Myrna Zanetell Pages 60-65 Whether he is depicting a foggy morning bird hunt, a weathered cowboy hat and spurs, or a vibrant bouquet of flowers, the diverse imagery of Austin-based artist Kyle Polzin radiates an ethereal quality that he defines as romantic realism. Had Polzin, who is not yet 40, practiced his craft centuries ago, he might have been the protégé of Dutch and Flemish masters such as Van Eyke or Vermeer. However, like many natives of the Lone Star state, Polzin finds inspiration closer to home in South Texas communities such as Rockport, Cuero, and his hometown of Victoria, as well in his strong family heritage.	Until the Next Ride, oil, 18" by 9" Also: Graceful Antiquity, oil, 40" by 11"
Lesley Harrison An Eternal Challenge By Barbara Coyner Pages 66-71 Lesley Harrison describes pastels as “wondrous.” But she admits that “seeing is believing” when it comes to prospective galleries, collectors, and art critics. For example, when Harrison set out to break into the Carmel, California, art scene, one gallery owner warily agreed to look over her oils and pastels.	Red, pastel, 13" by 20" Also: Lazy Afternoon, pastel, 16" by 20"

© 1999 Art of the West Magazine. Last updated May 2008.

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